Theories of Film Editing - Montage Mis-en-scene And beyond Essay

Theories of Film Editing - Montage Mis-en-scene And beyond - Essay archetype photographic film is an art that developed from mans incorrigible wish to record the movement and the base objects because it was the moving and not static objects that interested him. The first film show, the Lumiere Show was just a elasticity of a train coming into the railway platform. hence in the beginning Cinema was just simply a recording medium and the movie television camera only a recording machine. It functionally started as a medium to record theatre performances. The tragedy of the theatre is that every great performance by any actor goes into thin air just when the curtain is down. There is no record left. Cinema filled up this gap between the performance and the record for the posterity. As a recording machine, the camera stayed static, taking the position of a static audience in the theatre watching a play. Thus the recorded footage demanded no editing as the whole recording process was continuous. PARALLEL MONTAGE It was the American film makers D .W Griffith, Edwin Porter who made the static camera vibrant. They invented what we call today the close up. A famous close-up shot of Griffith is Mae Marshs clasped hands in the trial episode of Intolerance, genius of Griffiths classics. The close up here adds on to the emotional tone of the films narrative. concord to Siegfried Kracauer It almost looks as if her huge hands with convulsively moving fingers were inserted for the sole purpose of illustrating eloquently her badgering at the most crucial moment of the trail.