Warwick Thornton Essay

The dashs Samson and Delilah and Nana argon just about(prenominal) produced and tell by an Australian select prover named Warwick Thornton. He is ren give birthed for the techniques he social functions that reflect the directors personal creative vision during the images. This approach in film making is known as the auteur theory. Warwick Thornton directed Nana which is a short film in 2007 that includes the same character named Nana dealers keep in line In his latter(prenominal) movie.He then continues on in 2009 where he directed Samson and Delilah, a full length feature film that debuted In the Cannes Film Festival. In both his films he displays the hardships faced by native Aboriginal Australians, especially the children, who suffer in and out of their communities and are normalized in society. They are besides take the standn to rarely receive help from the government or community members. in that location are objet darty an(prenominal) similarities between the fi lms that show a connection and hold upon Thorns techniques in film making, such as the camera work, music/soundtrack and lighting.These similarities suck up Thorns producing and say carriage that bring his own creative voice work both of the films. In both films music is shown to be a total sever of the day to day routines of the protagonists. At the beginning of the opening burst of Samson and Delilah, the song, Sunshiny Day by Charlie Pride is a country live song that suggests get laid can make living in a bleak and gloomy environment better. The audience Is also shown this technique nowadays In Nana when the film begins with a cheerful and lively soundtrack while Nana Is preparing a meal.Both films have an upbeat and cheerful t adept to Its background music that shows how Aboriginals ho moreover have anything in life due to their isolation and sorry living conditions suggest that they are still happy with their lives, especially Nana who barely has anything in her ki tchen is still managing to make a meal. However as both films begin to progress through their perspectives with the use of music and background folie the viewer Is shown the problems faced in Aboriginal communities.Viewers are shown this through the use of Thornton hand held camera which he shot both of the inure film with. This use of camera work makes the viewers feel that they are part of the cone and feeling connected to the characters. In Samson and Delilah, Samson wakes up and sniffs natural gas which shows the problems and addictions young people face in these Aboriginal societies. The escape of education and absence of parents who do not direct t sew together to the right passage in life attracts youths into drug and alcohol use which in many cases leads to the abuse of such substances.Even though there Is limited dialogue passim the film between characters Warwick Thornton uses music and ambient noises as a manikin of a language. A reoccurring motive/issue in both f ilms is he exploitation of Aboriginal people and their skills, brinyly with their artistic work. Delilah grandmother, Kitty, is a famous Aboriginal painter but is exploited by members of the uncontaminating Australian community. The want of awareness faced by Aboriginals regarding the real say-so and value of their paintings shows the viewers that Aboriginal painters could be far wealthier but their lack of knowledge Is conditions.The viewer is shown this form of exploitation when Delilah enters an art impetus in Alice Springs and sees one of Nanas paintings selling for $22,000, when in act a man only paid $200 to Nana in return of her painting. Kittys painting is their main source of income that helps them pay for the goods and luxuries bought from the local convenience store and medicine from the hospital for Nanas well being. Although Kitty paints for a source of income she also does it to pass on knowledge and tradition down to Delilah as it is a direction that educates an d teaches her the traditions, history and culture of the Aboriginals.This form of knowledge is usually passed down viva voce or with the use of storytelling in the Aboriginal communities and lays a crucial spot in educating younger generations and maintaining the survival of Aboriginal culture. Viewers explicitly see this happen in both in Samson and Delilah and Nana, where the elderly is shown to be teaching younger community members with the aids of storytelling and painting. In Nana, the slight girls grandmother is shown numerous times to be painting together with her.Another etymon which is present in both films is love, how it is a strong and powerful king that helps individuals get past the oppression and miseries faced in life. The director uses this hem to show how the characters develop a special bond and make do for one and other. In Nana, the little girls grandmother looks after her and embraces her as one of her own children. l love my Nana, she makes me feeds whe n Im hungry this quote Justifies and supports how Nana is a loving care taker.This theme also exists in Samson and Delilah when Samson is shown hunting for a Kangaroo and bringing it back to Delilah as he wants to show his care towards Delilah and would like to present a kind gesture. Another drill of this theme is shown in the scene where Delilah grandmother passes away. When Nana passes away, Delilah is held amenable and is punished, as this is a custom in Aboriginal culture and tradition.After a period of respecting Delilah grief, Samson is driven and compelled to step into her emotional demote and in his own way protects Delilah from the isolation and rejection of the community as the members believe she is to blame for Nanas death. Love is heavily present in this scene as Samson physically steps out of his comfort partition off to provided Delilah and turn their backs on the community. Not only love is shown y Samson but Delilah as well. She is portrayed as a savoir due to the film techniques that present her to be such.She is purposely get dressed in white and having car headlights shine behind her when Samson is smell up at Delilah, viewers are shown this by point of view camera techniques Thornton uses to show Gammons view. This style symbolizes her as being an angel who came to save and cleanse Samson when he was close to suicide due to his petrol sniffing addiction. Delilah comes back to save Samson because in the end they both ultimately love each other. Both Samson and Delilah and Nana show the harsh and hard ways in which isolated Aboriginals live.Thorns directing style brings upon his own creative voice that helps the audience to understand the issues present that Australians execute to ignore and turn a blind eye towards. Even if some aspects in the film may feel unintentional, nothing in Warwick Thorns films are there by accident. Every technique, camera work, lighting and soundtrack is there to make viewers feel connected and understan d the films that bring upon the truth of what Aboriginals Thorns directing style which makes him an auteur theorist.